Cubase 11 upgrade update#
Cubase 11 upgrade upgrade#
Cubase 11 upgrade full#

And I have to say that I thoroughly enjoyed the addition of Stewart Askew, who is truly a poet. The performance of it had real weight and ferocity and an excess of emotion that never quite finds an outlet. Honestly, I was there, and the man nearly played the glasses off his face! 'Sink 'em Low', the few times I had heard it before, had saddened me to hear it, but the Sollee version keys me into the anger and injustice of not only the era in which the original was written, but also the anger and injustice of today. The arrangement has a relentless intensity that nearly overpowers the beauty of it, but resolves at last into contemplative solo bowing that does nothing to soften the impact of the composition. I attribute this to the pure alchemy that Ben creates in his craft. I was caught off guard by how well the two styles integrated into a seemless whole. Why didn't you just say so?' Sink 'Em Low was a flavorful mix of what is best about Kentucky, both the Bluegrass tradition and the urban energy. I have to admit I was at a complete loss until the first few lines of lyrics whereupon it dawned on me 'ah, a negro spiritual. There was a distance between the performer and the material which was unaccountable.Д«ut the real highlight of the night was what is introduced as 'an old field work song'. The performance of 'Bury Me with My Car' was more laid back than I'd seen it performed previously, like Ben wasn't attacking it with the same level of conviction. And I'm fairly certain it was the music and not the Jager bombs that had her dancing little circles and grinning from ear to ear. You can actually hear my friend Loren giggling under the opening notes. The combination of 'Throwing Stones', 'A Few Honest Words' and 'A Change is Gonna Come' was brilliant due to their similar moods and gentle political references, though the initial lineup of the first two folky and mellow songs didn't inspire any excess of interest from the crowd until the MC Stewart Eskew really stretched out and integrated himself into the mix during 'A Change is Gonna Come' instead of limiting himself to melodic mummbling as he had in 'A Few Honest Words'.Д«en won some notable interest from the crowd with his bluegrass instrumental interlude, but I can speak from personal experience that my friends (who'd never seen Ben perform before, but who were sick of me forcing them to listen to the few recordings I had) didn't finally get on board until 'Chocolate Jesus'. The first few songs were classic Ben with clean vocals and complex but uncomplicated strumming. I could sense right away a new vibe and was looking forward to the hearing some new material. Quite simply, there was a man with a microphone that nobody knew what to do with. Of course, there was one unaccountable presence on the stage, as well. And I'd never seen Ben perform with a keyboard before.

Cubase 11 upgrade full#

It was interesting to see Lamar Cornett behind a full set instead of with a single hand drum and definately added a lot of depth to his performance.

The natives, needless to say, were restless, but the little enclave around the stage had the feeling of being an oasis of serenity and interest despite the distraction of the nearly naked bartenders and the wall-sized screen off to stage right that was positively screaming with images of the angry punk persuasion. Unfortunately there were a bunch of dumb old curmudgeons on the Steinberg forum who were opposed to the idea of expanding the max number of inserts to 16 (max 8 inserts in 2018 lol), so I'm sure those same people would be bickering if Steinberg did anything else to bring their plugin handling into the 21st century.Rock Bar is definitely not the type of venue where youвЂ™d expect to see a man with a cello keening вЂњI want my bluebird backвЂќ.

If they introduced parallel processing like Ableton or Studio one, I'd certainly go for that. If they upgraded VariAudio somehow, I'd buy in. they more or less have everything I need. I'm not sure what Cubase can really do at this point that would really make it worth it to me though. I wasn't upset by it like much of the Steinberg forum, I just didn't find it worth the money for me. $100 is a good value for those plugins alone, but it seems to me that most people who would be upgrading to C11 probably already have fabfilter and izotope.

Cubase 11 upgrade update#

Most of the 11 update seemed to focus on plugins that I already have from other developers. My opinion - the scales thing was pretty cool. Although when they release 11.5 if it has anything worth upgrading for, I'm just gonna end up paying pretty much the same as if I'd bought the two upgrades separately, so I guess it doesn't really matter when you upgrade.

Cubase 11 upgrade upgrade#

I have 10.5 and the 11 upgrade didn't appeal to me.